Where’s home?

The art world, like the Christian world, is full of ‘isms’. There is impressionism, realism, surrealism and so on, most of which are recognised as ‘art’. Occasionally, of course, someone like Damien Hirst or Marcel Duchamp come along — the latter exhibiting an upside-down urinal in a Paris art exhibition — who challenge our understanding of what art is. Christianity’s ‘isms’ are similarly sets of rules, beliefs, creeds, philosophies and so on that consider themselves sub-sets of the genre ‘Christianity’, and, as in the art world, some of the more orthodox ‘isms’ are considered Christian, others on the fringe are considered — like Duchamp’s urinal — somewhat suspect, or perhaps even a joke. Most ‘isms’ develop when a group of people coalesce around shared values, often with a charismatic personality at the centre and, as in the world of art, often result when someone surfaces who challenges the status quo. Continue reading “Where’s home?”

Orthodoxy and heresy

To borrow an analogy from G. K. Chesterton (from Orthodoxy), I feel like the yachtsman who bravely set sail to discover new lands, but, due to navigation errors, finds himself off the coast of southern England some months later. Unaware of his mistake he bravely rows to the shore to plant the English flag and claim the new territory for the Crown. Surprisingly the natives speak English, and — to cut a long story short — he is soon enjoying some well-earned fish and chips, albeit with slight embarrassment. Continue reading “Orthodoxy and heresy”