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The edge of darkness – thinking about reality

As a physicist (though I confess a poor one) I conceive of God’s creative act as that of an explosive sun. God exploded us into existence, gave birth to us, and we orbit around him like the rings of Saturn, cosmic dust. But in his desire for children rather than angels, the centrifugal forces of his love spun us outwards to the edges of his gravitational influence, to the cusp of oblivion. Here, at the fragile discontinuity between light and darkness, a small force from our own weak will can take us beyond escape velocity into outer darkness, or on a trajectory back towards his heart. The choice is ours. The centrifugal force of God’s dangerous creativity is balanced, on a knife edge, with the centripetal force of his inexorable gravitational love.

It is a choice between the darkness of independence, a slide towards the frozen inertness of absolute zero, or to be consumed in the embrace of nuclear love. I have made my choice.

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Intellectualism—exploring mind and faith

Following on from my last post about ‘isms’, let’s have a closer look at intellectualism

Recently I was at a meeting where the gifted speaker mentioned in passing that in the West we are far too intellectual. The eastern mind, he suggested, was more open and appropriate to ‘real’ Christianity; intuitive, imaginative appropriation by the heart was of higher value than mere intellectual assent.
There are two issues which need uncovering here. Continue reading “Intellectualism—exploring mind and faith”

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Where’s home?

The art world, like the Christian world, is full of ‘isms’. There is impressionism, realism, surrealism and so on, most of which are recognised as ‘art’. Occasionally, of course, someone like Damien Hirst or Marcel Duchamp come along — the latter exhibiting an upside-down urinal in a Paris art exhibition — who challenge our understanding of what art is. Christianity’s ‘isms’ are similarly sets of rules, beliefs, creeds, philosophies and so on that consider themselves sub-sets of the genre ‘Christianity’, and, as in the art world, some of the more orthodox ‘isms’ are considered Christian, others on the fringe are considered — like Duchamp’s urinal — somewhat suspect, or perhaps even a joke. Most ‘isms’ develop when a group of people coalesce around shared values, often with a charismatic personality at the centre and, as in the world of art, often result when someone surfaces who challenges the status quo. Continue reading “Where’s home?”

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Orthodoxy and heresy

To borrow an analogy from G. K. Chesterton (from Orthodoxy), I feel like the yachtsman who bravely set sail to discover new lands, but, due to navigation errors, finds himself off the coast of southern England some months later. Unaware of his mistake he bravely rows to the shore to plant the English flag and claim the new territory for the Crown. Surprisingly the natives speak English, and — to cut a long story short — he is soon enjoying some well-earned fish and chips, albeit with slight embarrassment. Continue reading “Orthodoxy and heresy”